Idina Menzel Releases New EP, 4/13

Just in time for the GLEE premiere, Idina will be releasing a brand new EP, consisting of favorites such as I Stand, in addition to live tracks from her PBS Soundstage concert. The EP will be available on April 13th.

The tracklist is as follows:
I Stand (album version)
Brave (album version)
Gorgeous (album version)
Embraceable You (from soundstage)
Defying Gravity (from soundstage)
No Day But Today (from soundstage)

You can pre-order a copy of the EP by clicking here.

Menzel and her rich, soaring voice first came to public attention thanks to her knock-out turns in the blockbuster musicals RENT and WICKED, for which she won a Tony Award for Lead Actress in a Musical. In 2008, Menzel released I Stand, a mix of powerhouse pop tunes and touching balladry she had written, including “Brave,” which was hailed by Billboard as “ascending to the stratosphere, amid gratifying skyscraping production.”

As an actress, Menzel appeared opposite Patrick Dempsey in the Disney hit Enchanted, as well as in a recurring role on ABC’s Private Practice. This spring she joins the cast of the Fox juggernaut GLEE playing the coach of rival glee club Vocal Adrenaline.

For more information visit www.idinamenzel.com.

BroadwayWorld.com – April 13, 2010

Idina Menzel: Back on the Stand

Idina Menzel<br />
(© Joseph Marzullo/WENN)
Idina Menzel
(© Joseph Marzullo/WENN)

It’s been seven years since Idina Menzel won the Tony Award for her work as Elphaba in Wicked, and while the actress hasn’t been officially back on Broadway since then, she’s been keeping very busy. Two years ago, she released her album, I Stand; nine months ago, she gave birth to her son, Walker (whose daddy is Menzel’s husband, actor Taye Diggs); and most recently, she played teacher Shelby Corcoran on FOX’s hit series Glee. Now, Menzel is hitting the road on a six-month concert tour, which stops next at Dallas’ Meyerson Symphony Hall on June 17 and Philadelphia’s Mann Center for the Arts on June 24. TheaterMania recently spoke to Menzel about her life and work.

THEATERMANIA: You presented at this year’s Tony Awards on Sunday night. Did that bring back memories of your own Tony-winning night?
IDINA MENZEL: Sure, but more than memories, it makes me want to get back to Broadway soon. I’m just looking for the right project.

TM: I vote for you to make your return in the 2012 revival ofFunny Girl
IM: I may have missed my opportunity, but thank you, that’s a compliment. In any case, those are very big shoes to fill.

TM: What can you tell us about your upcoming tour?
IM: These concerts are with symphonies all over the country, and I’m very excited to sing with them. I usually sing with a small rock-band. This time, the music is being revisited, and there are all new arrangements. Each show, each conductor, each song has a new rhythm. There will be staples from shows like Wicked and others that are from more obscure shows or from other cast albums. And there are brand new songs too.

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Acclaimed Broadway star talks with O&AN about her gravity defying career

Idina Menzel performs only Nashville appearance tonight at TPAC

 

With her third album, Idina Menzel, Tony Award winning star of Broadway musicals Rent and Wicked, is back with a vengeance.

For the realization of this long-time dream, Menzel was joined by producer Glen Ballard (of Alanis Morrisette fame) to co-write most of the eleven songs on the album. Menzel shines on tracks like “I Stand” and “Brave” when the music seems at times to bleed into the familiar territory of her vaunted stage work.

While that comparison can’t help but be drawn due to her immediately recognizable delivery and vocal range,  the music remains incredibly engaging without being trite imitations of her stage hits. This is no doubt due to Ballard’s more-than-capable ear for catchy music combined with Menzel’s pitch-perfect delivery. The alchemic combination of the two stellar talents has produced a golden sound that immediately draws in fans of finely honed pop music while keeping the ever watchful and oft-critical musical theatre fans happy and sated – no mean task, rest assured.

The Tony Award winning actress/singer/songwriter has come a long way since her days as a wedding singer in Long Island, NY. In those days, in order to make ends meet the sinewy-voiced budding triple-threat (singing/acting/dancing) took the menial job of singing at weddings and bar mitzvahs which required learning a huge repertoire of songs from classic rock to Motown to jazz to the latest hit single from Madonna.

While working toward her bachelor’s degree in drama from New York University, Menzel performed with rock bands in downtown clubs in New York City during the week and continued her wedding gigs on the weekend. In the winter of l995, she auditioned for the Broadway bound “Rent” and won the part of Maureen, an outspoken bisexual performance artist which she portrayed with a singular clarity that many theatre goers of the era still strongly associate with her.  The role earned Menzel her first Tony nomination and the musical went on to win four Tony Awards and the Pulitzer Prize.

In 2003, Menzel achieved what those with little faith in her prodigious talent thought was impossible when she topped her performance as Maureen by originating the role of “the green girl,” the misunderstood witch in the hit musical “Wicked” which included her show-stopping performance of the song “Defying Gravity”.  In 2007, she re-recorded and remixed “Gravity” and the song went on to become a Top 5 hit on the Billboard Dance Chart.  Her star turn in “Wicked” won her a Tony Award and huge critical acclaim. Inspired by artists like Bette Midler and Barbra Streisand – triple threats who have conquered stage, film and success as recording artists, Idina Menzel now has embarked on her ultimate challenge—a solo artist singing her very own songs.

In an exclusive phone interview with O&AN, Idina Menzel took time to talk with us about her ever evolving career and her legions of dedicated fans.

O&AN: Congratulations on the success of the new album.

Menzel: Thank you. I owe it all to the people who come to the shows and buy the album.

OAN: When you were recording this album was there any fear that because of your great success on Broadway people wouldn’t want to take you seriously as a songwriter?

IM: No, not really. If you are an artist you are always judged by your work no matter what you are doing so it’s really just the same as it was before if not better. I don’t find that my fans are too difficult to please where I am concerned. They have been incredibly supportive and loyal to everything I do and I really think that success comes from the fact that I made my name in contemporary musicals so I have a younger fan base. I feel like they really encourage me to do whatever makes me happy and as long as I am true to myself they are along for the ride.

OAN: What about the work itself? Is touring from city to city any more or less challenging for you than performing on Broadway often in the same place every night?

IM: I’d like to be able to say it’s 100% different but it really isn’t for me. It’s all performing as far as I’m concerned. It’s all a live audience and that’s why I do it because I love performing and my comfort zone is with live audiences. The biggest difference is that I have an emotional investment in my own work that I might not have possessed with the Broadway work. When you are putting out your own material you place yourself in a spot where you are more vulnerable and that can be hard sometimes but I love it.

OAN: Do you ever see yourself returning to Broadway for another role?

IM: I am always diligently looking and working trying to find the next big vehicle for myself. I have been very lucky to have been able to have some great experience originating a few roles that have gone on to be huge. I love being a part of that process. It’s such a compliment to kind of be the muse for these great composers. It really is such a gift to be able to have this work in your life months before anyone else hears it and further to be able to put your stamp on it. I have some high expectations for what I want to do but I’m chomping at the bit to get back.

OAN: For those who might be familiar with your stage work and are thinking to themselves as they read this “Oh, well she’s just going to be recycling ‘Defying Gravity’ for two hours”, what would you tell them to expect from your show if they gave it a chance and came out to see it?

IM: It’s funny because a lot of people have this misconception that I’m just doing a couple of shows here and there.  I really want them to know that’s just not true.  We are doing a full-on 15 city tour in a tour bus with my very own band. This is the dream that I remember having back when I first started in Rent. This is the work I want to do more than anything. I really find my performances influenced by Bette Midler where she’s kind of doing all sorts of things on stage and no matter if its stand up, pop music or old time music like “Boogie Woogie Bugle Boy,” it works because it is all filled with the authenticity that she strives for. I feel like I’ve gotten to that point in my life now where I welcome all the different aspects of performance and want to make them a part of who I am on the stage. It is all a part of who I am and where I come from and I feel like it would be silly to choose one aspect over another and thereby limit myself and what I can bring to the audience. If anyone who doubts will just give it a chance I know I can win them over. They can definitely expect to hear a few songs from shows I have done but they are done with different instrumental arrangements to give them context that lends cohesion to the entire evening. Most everything else will be from the album and it’s bound to be a fun night for us all.

 

F. Daniel Kent, Out & About newspaper  – July 17, 2008

‘Defying Gravity’ with Idina Menzel

The “green girl” is coming. That girl also goes by the name of Idina Menzel, who is known around the world as the source of the ground-shaking voice behind such memorable characters as Maureen Johnson in the original cast of “Rent” as well as her most recent Broadway role as the witch Elphaba in the “Wizard of Oz” inspired “Wicked.”

Menzel, whose performance of the song “Defying Gravity” has always been popular among musical fans, will be visiting Madison this Sunday for a show at Memorial Union Theater. In a recent The Badger Herald interview, she let us know more about how she got into music and the journey she took to get to where she is now.

“Oh,” Menzel began sleepily. “I don’t know, I’ve been singing my whole life, just been singing. [laughter] It’s all I wanted to do, and I wouldn’t feel happy if I wasn’t doing it.”

While her onstage charm wasn’t entirely there, Menzel continued to explain how she worked up the musical ladder, from acting in school plays to her position as a wedding singer, anything that could get her by until her big break in “Rent. “

While “Rent” did result in her first Tony nomination, it wasn’t until “Wicked” rolled around that she gained the notoriety she has today. “Wicked,” based on the novel of the same name by Gregory Maguire, tells the tale of the Wicked Witch of the West and her struggle for acceptance in a non-green world. Menzel originated this role, and her efforts garnered her a Tony award.

“That entire “Wicked” experience really changed my life. I learned a lot of life … lessons through that character. I learned … how to embrace what makes you unique. I learned how to come out of myself, and not be afraid of your own personal power,” Menzel said, although passively.

After making the show-stopping song “Defying Gravity” a hit both onstage and off in her remixed dance-floor version, Menzel left the Broadway stage for other projects, among them a role in “Enchanted” and reprising her role as Maureen for the film version of “Rent.”

In 2007, however, Menzel was given the chance to reprise the role that made her famous on the London stage.

“I was excited to get back into a role I had already experienced doing, because I actually thought I’d enjoy the process more and rediscover the role, and take some of the experience I got from the other projects I did in the meantime and apply them to building the character. I just had a great time in London,” Menzel said.

Yet Menzel simultaneously lives in two worlds of music: singing and songwriting. In that respect, it was inevitable she would leave the stage and move toward the studio, where she would record her first solo record, I Stand.

“I’ve been recording ever since I was a teenager, and it just so happens because of my success with “Wicked” that this album is getting more looks and everything, which is a wonderful thing. I think I made an album that people that know me from the theater will respect the change in direction but also to see the same woman in there, and hear the same voice, and hopefully be drawn to authenticity and passion.”

As a lifelong performer either in character or as herself, Menzel continued to speak of how performing has the same common denominator:

“Whether or not you’re singing behind a costume or you’re singing as yourself, you’re still having to put yourself out there as a performer and make yourself vulnerable to an audience. That’s the only way people are really going to feel something, if you get in touch with what’s genuine about the role or what you’re experiencing in yourself. “

When touching on the subject of politics, Menzel’s apathetic tone subsided as she audibly illuminated. In addition to her tour for her I Stand album, Menzel has also made time to show her support for Barack Obama.

“I’m just like everyone else, just really touched by his campaign and everything that he represents. I just wanted to get up and do something and be a part of it, so when I look back on it I could say I was really there, and part of a movement and making history.

For those wondering if Menzel will be “Defying Gravity” during Sunday’s performance, Menzel offered some promising info.

“I do a little bit of everything. I’ve rearranged some of the songs so they fit more in the context of pop music, but I think there’s a real cohesive flavor to the whole things. We’ve got some fun covers in our pocket that we’re going to surprise people with so each performance is a little different. They should expect a fun, eclectic, spontaneous evening.”

Idina Menzel will be at the Memorial Union Theater this Sunday at 8 p.m. Tickets are avaiable at $10 for University of Wisconsin students.

by Cailley Hammel - The Badger HeraldOctober 30, 2008

Interview: Idina Menzel

By Paul Lester, September 26, 2008

Acting, singing, comedy – Idina Menzel can do it all, and that includes severe self-doubt. It has a lot to do with her parents.

Idina Menzel is one of the biggest names in musical theatre, having appeared in Rent on Broadway and Wicked in the West End, as well as a film actress, starring most recently in Disney fantasy, Enchanted. She is also a recording artist, her latest, mostly self-penned album, I Stand, being produced by Glen Ballard, the man who helped Alanis Morissette sell 16 million copies of Jagged Little Pill.

So which is the real Idina Menzel – the nice Jewish girl from Long Island: the turbo-lunged diva singing flawless power ballads in musicals, or the “edgy little rocker” (her words) whose gritty performances on I Stand put her more in the Sheryl Crow category of raunchy female singer-songwriters? It turns out the answer could be all of them because Menzel fancies herself as a bit of a Renaissance woman.

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interview :: Idina Menzel

Idina Menzel, winner of the 2004 Tony® Award for Best Leading Actress in a Musical for her portrayal of the misunderstood green girl in ‘Wicked’, and who was in the original ground breaking cast of ‘Rent,’ has released a fantastic new CD entitled ‘I Stand’ becoming a certified hit on the Warner Bros label.

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Idina Menzel

Idina is currently touring the country with her band and will be performing at the House of Blues on August 6th performing music from her album as well as other favorites from her career.

ChicagoPride.com’s Michael J. Roberts had an opportunity to sit down with Idina for a ShowBizQ podcast interview. The following is an excerpt from the podcast where Idina talks about the creation of her new CD, her thoughts on the closing of ‘Rent’ on Broadway and her triumph as Elphaba in ‘Wicked’.

MJR: Thank you so much for taking time out of your schedule to talk with me. How is the tour going?

IM: The tour is going great. This is a real dream for me. I have always wanted to be on my own tour bus, with my own band singing my own music, traveling around the country. I am having the greatest time of my life. The crowds have just been incredible and we are having a lot of fun.

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Idina Menzel Interview, Enchanted

Movies Online sat down with Idina Menzel at the Los Angeles press day for “Enchanted,” directed by Kevin Lima (“Tarzan,” “Eloise At Christmastime”) from a screenplay written by Bill Kelly (“Blast From the Past”) and featuring original songs from the reunited team of acclaimed composer Alan Menken and lyricist Stephen Schwartz (“Pocahontas,” “Hunchback of Notre Dame”).

A classic Disney animated fairy tale meets with the modern, live-action romantic comedy in Walt Disney Pictures’ “Enchanted.” Featuring an all-star cast, the film follows the beautiful princess Giselle (Amy Adams) as she is banished by an evil queen (Susan Sarandon) from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn’t operate on a “happily ever after” basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer (Patrick Dempsey) who has come to her aid — even though she is already promised to a perfect fairy tale prince (James Marsden) back home – she has to wonder: can a storybook view of romance survive in the real world?

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Idina Menzel Interview Exclusive with NewNowNext!

Idina2

Idina Menzel cites gays as her longtime “peeps,” and even though Tonys are always nice, she has the real mark of Broadway success in throngs of gay men belting “Defying Gravity” at Splash during Musical Mondays. But now with a major label behind her, Idina’s stretching beyond her Rent and Wicked fame.

I Stand, which came out Jan. 29, is still very Wicked-y – don’t worry – and I spoke with Idina shortly after the release, an event she likened to giving birth. We chatted about performing for the gays, her early Rent days … and of course, her hot piece-of-husband, Taye Diggs.

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Free of her green ‘Wicked’ makeup, Idina Menzel shows her true colors

The videotaped footage must be in thousands of homes, stashed away with other 1980s marriage memorabilia: Idina Menzel singing the latest Madonna single, classic rock hits and other wedding reception standards.

Yes, the Tony Award-winning actress, known for originating the Broadway roles of Maureen in “Rent” and, most famously, the green-tinged witch Elphaba in “Wicked,” used to be a wedding singer.

Not surprisingly, at her own 2003 nuptials to actor Taye Diggs — a fellow “Rent” cast member and current co-star of ABC’s “Private Practice” — in Jamaica, Menzel said she made the leader of the wedding band, one of her best friends, “swear she would not ask me to get up there and sing.”

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UGO.com Idina Menzel – Ask the Dust Feature

Idina Menzel of Ask the Dust

Interview by Daniel Robert Epstein, contributing editor

Idina Menzel was in the original cast of Rent and Wicked on Broadway. She is making the transition to Hollywood with the big-budget version of Rent (now available on DVD) and Robert Towne’s Ask the Dust. In Towne’s film, Idina plays Vera, the deformed young woman who’s gunning for the romantically inexperienced Bandini’s (Colin Farrell) affections.

UGO: I read that you really worked hard to do this role, why was that?

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