Magnuson, Wopat, Menzel to Play Joe’s Pub in January and February

Ann Magnuson, Tom Wopat, William Finn, Diamanda Galas and Idina Menzel will be among the theatre stars to play Joe’s Pub, the cabaret space off Off-Broadway’s Public Theater, in January and February of 2001.

Ann Magnuson, Tom Wopat, William Finn, Diamanda Galas and Idina Menzel will be among the theatre stars to play Joe’s Pub, the cabaret space off Off-Broadway’s Public Theater, in January and February of 2001.Jan. 14 and 15, composer Finn (Falsettos) will present an encore engagement of “Infinite Joy: The Songs of William Finn,” which had a successful run a couple months ago. Finn, employing a gruff, growling voice, will sing several of his own songs. In past shows, his guests have included Carolee Carmello, Stephen DeRosa and Mary Testa. Tickets are $25.

Testa will participate in an attraction called “The Last Lousy Moments of Love: The Songs of Bolcum & Weinstein,” playing Jan. 22 and 29 and Feb. 5. William Bolcom and Arnold Weinstein have penned the operas McTeague and A View from the Bridge and the musicals Great Shot in the Willows and Casino Parade. Also singing will be Alice Playten and Sean Elliot.

Idina Menzel, the high intensity star of Rent and The Wild Party (and the upcoming Summer of ’42), will, on February 12, 19 and 26, sing selections from her new CD, “Still I Can’t Be Still.”

If you’re interested in the upcoming Public Theater play Dogeaters, you can get an eyeful of the playwright Jessica Hegedorn herself on Feb. 1, when she is featured in “an all-star drag, beauty, and talent show” celebrating the coming production.

Performance artist, composer and singer Diamanda Galas will take the stage on Jan. 3 and 5. Following her, on Feb. 14, will be a very different sort of theatre personality: Tom Wopat, late of Broadway’s Annie Get Your Gun. In keeping with Valentine’s Day, he will give voice to love songs from his album, “In The Still of The Night.”

Performance artist and actress Ann Magnuson will present her new outing, “2001: Yesterday’s Tomorrow Today,” on Jan. 16 and 17. Singing songs by Harry Nilsson, Soft Cell, and others, she will answer the musical question: “What in the hell happened to those Pan Am shuttle flights to the moon that Stanley Kubrick promised us? Tickets are $25.

Joe’s Pub is located at 425 Lafayette Street (between East 4th Street and Astor Place). For information on these and other winter attractions, call (212) 239-6200.

Playbill.com by Robert Simonson – 12/14/2000

Idina Menzel Goes Into the Sh-K-Boom Room Dec. 7

Idina Menzel, formerly of Rent and The Wild Party, sings her own pop and blues tunes in the Sh-K-Boom Room at the Cutting Room Dec. 7. Joining her will be singer-songwriter Gavin DeGraw.

Idina Menzel, formerly of Rent and The Wild Party, sings her own pop and blues tunes in the Sh-K-Boom Room at the Cutting Room Dec. 7. Joining her will be singer-songwriter Gavin DeGraw.Menzel made her Broadway splash as Maureen in the original company of Rent. She most recently trod the NYC boards as Kate in the Manhattan Theatre Club production of The Wild Party. Prior to that role, she traveled the country promoting her first album, “Still I Can’t Be Still” and performed with Lilith Fair. She is currently at work on her second album.

DeGraw is less well known, but the pianist has some acting experience. He performed the UPS delivery man and salesman in Working at Connecticut’s Long Wharf Theatre in the 1999 revival of the musical.

Tickets are $10 at the door. The Cutting Room, a new restaurant owned by The Best Man‘s Chris Noth, is located at 19 West 24th Street. For more information, call Noah Cornman at (646) 505 0496. Reservations can be e-mailed to BoomRoom@sh k-boom.com. Sh-K-Boom Records is on the web at http://www.sh-k boomrecords.com.

Playbill.com by Christine Ehren  – 12/07/2000

Rent’s Idina Menzel Tours Debut Album With NY & National Dates; Starts Nov. 3

Idina Menzel, the original Maureen in Broadway’s Rent, has announced a mini-tour with Francis Dunnery, whose albums include “Tall Blonde Helicopters” and “Let’s Go Do What Happens.” Menzel is promoting her first album, “Still I Can’t Stand Still,” which was released Sept. 13 by Hollywood Records.

Idina Menzel, the original Maureen in Broadway’s Rent, has announced a mini-tour with Francis Dunnery, whose albums include “Tall Blonde Helicopters” and “Let’s Go Do What Happens.” Menzel is promoting her first album, “Still I Can’t Stand Still,” which was released Sept. 13 by Hollywood Records.

The November tour dates are as follows:

Nov. 3: Birchmere Bandstand, Alexandria, VA
Nov. 5: Daytona’s, Baltimore, MD
Nov. 6: Frankie’s, Toledo, OH
Nov. 7: York Street Cafe, Cincinnati, OH
Nov. 8: Newport Music Hall, Columbus, OH
Nov. 10: Tin Angel, Philadelphia, PA
Nov. 13: Milestones, Rochester, NY
Nov. 14: Stylines Rhythm, Syracuse, NY
Nov. 15: Valentine’s, Albany, NY
Nov. 18: The Chance, Poughkeepsie, NY
Nov. 24: Bowery Ballroom, New York, NY

Menzel will also make radio appearances on Dec. 14 in Portland, ME and Dec. 15 in Portsmouth, NH.

“Still I Can’t Stand Still” features the Menzel-penned tunes “Think Too Much,” “All of the Above,” “Larissa’s Lagoon,” “Heart on My Sleeve,” “Fool Out of Me,” and the title track. The album’s first single is “Minuet.”

Menzel has also recorded a track cover of “Come Rain Or Come Shine” for the soundtrack of the upcoming Touchstone film “The Other Sister”.

Playbill.com – by Christine Ehren- Nov. 3, 1998

Acclaimed Broadway star talks with O&AN about her gravity defying career

Idina Menzel performs only Nashville appearance tonight at TPAC

 

With her third album, Idina Menzel, Tony Award winning star of Broadway musicals Rent and Wicked, is back with a vengeance.

For the realization of this long-time dream, Menzel was joined by producer Glen Ballard (of Alanis Morrisette fame) to co-write most of the eleven songs on the album. Menzel shines on tracks like “I Stand” and “Brave” when the music seems at times to bleed into the familiar territory of her vaunted stage work.

While that comparison can’t help but be drawn due to her immediately recognizable delivery and vocal range,  the music remains incredibly engaging without being trite imitations of her stage hits. This is no doubt due to Ballard’s more-than-capable ear for catchy music combined with Menzel’s pitch-perfect delivery. The alchemic combination of the two stellar talents has produced a golden sound that immediately draws in fans of finely honed pop music while keeping the ever watchful and oft-critical musical theatre fans happy and sated – no mean task, rest assured.

The Tony Award winning actress/singer/songwriter has come a long way since her days as a wedding singer in Long Island, NY. In those days, in order to make ends meet the sinewy-voiced budding triple-threat (singing/acting/dancing) took the menial job of singing at weddings and bar mitzvahs which required learning a huge repertoire of songs from classic rock to Motown to jazz to the latest hit single from Madonna.

While working toward her bachelor’s degree in drama from New York University, Menzel performed with rock bands in downtown clubs in New York City during the week and continued her wedding gigs on the weekend. In the winter of l995, she auditioned for the Broadway bound “Rent” and won the part of Maureen, an outspoken bisexual performance artist which she portrayed with a singular clarity that many theatre goers of the era still strongly associate with her.  The role earned Menzel her first Tony nomination and the musical went on to win four Tony Awards and the Pulitzer Prize.

In 2003, Menzel achieved what those with little faith in her prodigious talent thought was impossible when she topped her performance as Maureen by originating the role of “the green girl,” the misunderstood witch in the hit musical “Wicked” which included her show-stopping performance of the song “Defying Gravity”.  In 2007, she re-recorded and remixed “Gravity” and the song went on to become a Top 5 hit on the Billboard Dance Chart.  Her star turn in “Wicked” won her a Tony Award and huge critical acclaim. Inspired by artists like Bette Midler and Barbra Streisand – triple threats who have conquered stage, film and success as recording artists, Idina Menzel now has embarked on her ultimate challenge—a solo artist singing her very own songs.

In an exclusive phone interview with O&AN, Idina Menzel took time to talk with us about her ever evolving career and her legions of dedicated fans.

O&AN: Congratulations on the success of the new album.

Menzel: Thank you. I owe it all to the people who come to the shows and buy the album.

OAN: When you were recording this album was there any fear that because of your great success on Broadway people wouldn’t want to take you seriously as a songwriter?

IM: No, not really. If you are an artist you are always judged by your work no matter what you are doing so it’s really just the same as it was before if not better. I don’t find that my fans are too difficult to please where I am concerned. They have been incredibly supportive and loyal to everything I do and I really think that success comes from the fact that I made my name in contemporary musicals so I have a younger fan base. I feel like they really encourage me to do whatever makes me happy and as long as I am true to myself they are along for the ride.

OAN: What about the work itself? Is touring from city to city any more or less challenging for you than performing on Broadway often in the same place every night?

IM: I’d like to be able to say it’s 100% different but it really isn’t for me. It’s all performing as far as I’m concerned. It’s all a live audience and that’s why I do it because I love performing and my comfort zone is with live audiences. The biggest difference is that I have an emotional investment in my own work that I might not have possessed with the Broadway work. When you are putting out your own material you place yourself in a spot where you are more vulnerable and that can be hard sometimes but I love it.

OAN: Do you ever see yourself returning to Broadway for another role?

IM: I am always diligently looking and working trying to find the next big vehicle for myself. I have been very lucky to have been able to have some great experience originating a few roles that have gone on to be huge. I love being a part of that process. It’s such a compliment to kind of be the muse for these great composers. It really is such a gift to be able to have this work in your life months before anyone else hears it and further to be able to put your stamp on it. I have some high expectations for what I want to do but I’m chomping at the bit to get back.

OAN: For those who might be familiar with your stage work and are thinking to themselves as they read this “Oh, well she’s just going to be recycling ‘Defying Gravity’ for two hours”, what would you tell them to expect from your show if they gave it a chance and came out to see it?

IM: It’s funny because a lot of people have this misconception that I’m just doing a couple of shows here and there.  I really want them to know that’s just not true.  We are doing a full-on 15 city tour in a tour bus with my very own band. This is the dream that I remember having back when I first started in Rent. This is the work I want to do more than anything. I really find my performances influenced by Bette Midler where she’s kind of doing all sorts of things on stage and no matter if its stand up, pop music or old time music like “Boogie Woogie Bugle Boy,” it works because it is all filled with the authenticity that she strives for. I feel like I’ve gotten to that point in my life now where I welcome all the different aspects of performance and want to make them a part of who I am on the stage. It is all a part of who I am and where I come from and I feel like it would be silly to choose one aspect over another and thereby limit myself and what I can bring to the audience. If anyone who doubts will just give it a chance I know I can win them over. They can definitely expect to hear a few songs from shows I have done but they are done with different instrumental arrangements to give them context that lends cohesion to the entire evening. Most everything else will be from the album and it’s bound to be a fun night for us all.

 

F. Daniel Kent, Out & About newspaper  – July 17, 2008

‘Defying Gravity’ with Idina Menzel

The “green girl” is coming. That girl also goes by the name of Idina Menzel, who is known around the world as the source of the ground-shaking voice behind such memorable characters as Maureen Johnson in the original cast of “Rent” as well as her most recent Broadway role as the witch Elphaba in the “Wizard of Oz” inspired “Wicked.”

Menzel, whose performance of the song “Defying Gravity” has always been popular among musical fans, will be visiting Madison this Sunday for a show at Memorial Union Theater. In a recent The Badger Herald interview, she let us know more about how she got into music and the journey she took to get to where she is now.

“Oh,” Menzel began sleepily. “I don’t know, I’ve been singing my whole life, just been singing. [laughter] It’s all I wanted to do, and I wouldn’t feel happy if I wasn’t doing it.”

While her onstage charm wasn’t entirely there, Menzel continued to explain how she worked up the musical ladder, from acting in school plays to her position as a wedding singer, anything that could get her by until her big break in “Rent. “

While “Rent” did result in her first Tony nomination, it wasn’t until “Wicked” rolled around that she gained the notoriety she has today. “Wicked,” based on the novel of the same name by Gregory Maguire, tells the tale of the Wicked Witch of the West and her struggle for acceptance in a non-green world. Menzel originated this role, and her efforts garnered her a Tony award.

“That entire “Wicked” experience really changed my life. I learned a lot of life … lessons through that character. I learned … how to embrace what makes you unique. I learned how to come out of myself, and not be afraid of your own personal power,” Menzel said, although passively.

After making the show-stopping song “Defying Gravity” a hit both onstage and off in her remixed dance-floor version, Menzel left the Broadway stage for other projects, among them a role in “Enchanted” and reprising her role as Maureen for the film version of “Rent.”

In 2007, however, Menzel was given the chance to reprise the role that made her famous on the London stage.

“I was excited to get back into a role I had already experienced doing, because I actually thought I’d enjoy the process more and rediscover the role, and take some of the experience I got from the other projects I did in the meantime and apply them to building the character. I just had a great time in London,” Menzel said.

Yet Menzel simultaneously lives in two worlds of music: singing and songwriting. In that respect, it was inevitable she would leave the stage and move toward the studio, where she would record her first solo record, I Stand.

“I’ve been recording ever since I was a teenager, and it just so happens because of my success with “Wicked” that this album is getting more looks and everything, which is a wonderful thing. I think I made an album that people that know me from the theater will respect the change in direction but also to see the same woman in there, and hear the same voice, and hopefully be drawn to authenticity and passion.”

As a lifelong performer either in character or as herself, Menzel continued to speak of how performing has the same common denominator:

“Whether or not you’re singing behind a costume or you’re singing as yourself, you’re still having to put yourself out there as a performer and make yourself vulnerable to an audience. That’s the only way people are really going to feel something, if you get in touch with what’s genuine about the role or what you’re experiencing in yourself. “

When touching on the subject of politics, Menzel’s apathetic tone subsided as she audibly illuminated. In addition to her tour for her I Stand album, Menzel has also made time to show her support for Barack Obama.

“I’m just like everyone else, just really touched by his campaign and everything that he represents. I just wanted to get up and do something and be a part of it, so when I look back on it I could say I was really there, and part of a movement and making history.

For those wondering if Menzel will be “Defying Gravity” during Sunday’s performance, Menzel offered some promising info.

“I do a little bit of everything. I’ve rearranged some of the songs so they fit more in the context of pop music, but I think there’s a real cohesive flavor to the whole things. We’ve got some fun covers in our pocket that we’re going to surprise people with so each performance is a little different. They should expect a fun, eclectic, spontaneous evening.”

Idina Menzel will be at the Memorial Union Theater this Sunday at 8 p.m. Tickets are avaiable at $10 for University of Wisconsin students.

by Cailley Hammel - The Badger HeraldOctober 30, 2008

interview :: Idina Menzel

Idina Menzel, winner of the 2004 Tony® Award for Best Leading Actress in a Musical for her portrayal of the misunderstood green girl in ‘Wicked’, and who was in the original ground breaking cast of ‘Rent,’ has released a fantastic new CD entitled ‘I Stand’ becoming a certified hit on the Warner Bros label.

photo 

Idina Menzel

Idina is currently touring the country with her band and will be performing at the House of Blues on August 6th performing music from her album as well as other favorites from her career.

ChicagoPride.com’s Michael J. Roberts had an opportunity to sit down with Idina for a ShowBizQ podcast interview. The following is an excerpt from the podcast where Idina talks about the creation of her new CD, her thoughts on the closing of ‘Rent’ on Broadway and her triumph as Elphaba in ‘Wicked’.

MJR: Thank you so much for taking time out of your schedule to talk with me. How is the tour going?

IM: The tour is going great. This is a real dream for me. I have always wanted to be on my own tour bus, with my own band singing my own music, traveling around the country. I am having the greatest time of my life. The crowds have just been incredible and we are having a lot of fun.

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Free of her green ‘Wicked’ makeup, Idina Menzel shows her true colors

The videotaped footage must be in thousands of homes, stashed away with other 1980s marriage memorabilia: Idina Menzel singing the latest Madonna single, classic rock hits and other wedding reception standards.

Yes, the Tony Award-winning actress, known for originating the Broadway roles of Maureen in “Rent” and, most famously, the green-tinged witch Elphaba in “Wicked,” used to be a wedding singer.

Not surprisingly, at her own 2003 nuptials to actor Taye Diggs — a fellow “Rent” cast member and current co-star of ABC’s “Private Practice” — in Jamaica, Menzel said she made the leader of the wedding band, one of her best friends, “swear she would not ask me to get up there and sing.”

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Still, She’s Not Still: Idina Menzel is Here!: An Exclusive Interview With A Broadway Star

I had the ultimate privilege of talking with Tony Award winner Idina Menzel on the telephone Friday, October 24th, 2008 at 2:45pm. Born in Long Island, New York, Menzel made her Broadway debut as Maureen in the Original Cast of Jonathan Larson’s musical Rent. Following the success of the show, she released her first album Still I Can’t Be Still with HollyWood Records. She returned to Broadway as Amneris in Aida and performed with her husband Taye Diggs in the off-Broadway production of Andrew Lippa’s The Wild Party in 2000. In 2003 Menzel created the role of Elphaba in Stephen Schwartz’s musical Wicked, co-starring Kristin Chenoweth, for which she won her Tony Award. In 2004 she released her second album Here on Zel Records, and following the success of Wicked, she appeared in Michael John LaChiusa’s musical See What I Wanna See at the Public Theatre in New York. She reprised her role as Elphaba in Wicked in London on September 7, 2006 and then played Florence in the 21st Anniversary concert of Chess at the Royal Albert Hall in London until May 13th, 2008. She also recreated the role of Maureen for Chris Columbus’ film version of Rent (2006). Her third solo album, I Stand, was released on January 29, 2008. The album debuted at #58 in the Billboard 200, making it the first solo album by Menzel to make the charts. For more information visit www.idinamenzel.com. Idina has been quoted as saying, “I love being an actress, but the hardest thing to do is totally be yourself, singing your own songs with nothing to hide behind. It’s exhilerating, exciting and terrifying- but ultimately rewarding.”

Her one-night only solo concert is at the Danforth Music Hall Theatre in Toronto on November 7th, 2008 at 8:00pm. For tickets visit www.ticketmaster.ca.

Amanda Campbell (AC): Hi! Thank you so much for making some time to talk to me.

Idina Menzel (IM): Hey! No problem. Thank you!

AC: Um, well, my first question, is, I know you’ve done a series of touring concerts, especially recently to promote “I Stand”. What made you decide to include Toronto in your tour?

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