Impressive new musical boasts strong performances and a melodic score, but the ambitious, convoluted book could use some work before the show arrives on Broadway in the spring.<\/p>\n
Paul Harris<\/em><\/p>\n The sublime talents of soprano Idina Menzel are showcased to the hilt in \u201cIf\/Then,\u201d an impressive new tuner by Tom Kitt and Brian Yorkey that gives new meaning to the term \u201cbook-heavy musical.\u201d Bowing in a pre-Broadway tryout at D.C.\u2019s National Theater, it tells a story so convoluted that the plotlines are color-coded. The plodding elements of the complicated yarn are among several fixable concerns that would advisably be addressed en route to Gotham.<\/p>\n To be fair, a cerebral examination of life\u2019s possibilities, and the consequences of chance occurrences, is the challenging undertaking from the talented \u201cNext to Normal\u201d team. The nuances of probability are among the weighty topics explored.<\/p>\n Menzel plays a 38-year-old Arizonian named Elizabeth who has relocated to New York, where fateful choices seemingly abound. Author Yorkey has devised two alternative paths for her to pursue, and unveils them simultaneously. As \u201cBeth,\u201d she\u2019s a career-oriented city planner. As \u201cLiz,\u201d she\u2019s a more carefree teacher married to the handsome U.S. Army physician she met at the park. Scenes are cast in red or blue depending on the interwoven storylines of the moment.<\/p>\n It\u2019s a demanding assignment that keeps Menzel onstage virtually throughout the energetic show \u2014 great news for auds, since the artist\u2019s dexterity and earthy voice are fully exploited by Kitt\u2019s melodic score. The task begins immediately with a lengthy opening chorus number punctuated by Menzel\u2019s vibrant entrance singing the signature tune \u201cIf.\u201d It ends almost three hours later with her socko number \u201cAlways Starting Over.\u201d<\/p>\n Offering full-throated support is a versatile team of Broadway regulars that includes Anthony Rapp (\u201cRent\u201d) as the longtime activist chum; James Snyder (\u201cCry-Baby\u201d) as the physician; Jerry Dixon (\u201cOnce on this Island\u201d) as the overly interested boss; LaChanze (\u201cThe Color Purple\u201d) as the spunky neighbor; Jenn Colella (\u201cUrban Cowboy\u201d) as the neighbor\u2019s lesbian partner; and Jason Tam (\u201cLysistrata Jones\u201d) as the spouse of Rapp\u2019s character.<\/p>\n Combined, they portray the motivated denizens of a truly hip New York City where folks are as likely to be gay as straight, almost everyone is self-absorbed and the F-word is a linguistic mainstay, as in the acerbic act-one number \u201cWhat the Fuck?\u201d<\/p>\n Kitt\u2019s score adheres to the modern musical style of pop, rock and country themes embellished with soaring melodies and tight ensemble harmonies. The principals all make the most of their opportunities. Rapp serves up an act-one highlight with the lively tune \u201cAin\u2019t No Manhattan,\u201d which also features some of Yorkey\u2019s cleverest lyrics. Snyder\u2019s pleasing tenor voice is displayed in \u201cHere I Go,\u201d a country-flavored duet with Menzel, while LaChanze and Colella double the impact of their impressive talents in another country-influenced tune, \u201cNo More Wasted Time.\u201d<\/p>\n It is all effectively staged on Mark Wendland\u2019s elaborate multitiered set complete with turntable, adjustable mirrored ceiling and countless scene variations to accommodate ever-changing locales. Director Michael Greif clearly does his best to keep the heavy load buoyant, as does choreographer Larry Keigwin.<\/p>\n Some unevenness is expected at this phase of any new show, and it\u2019s evident here in both music and lyrics of the tuner\u2019s 21 numbers. But the principal concern should be the book, which has laudable intentions but at times registers as tedious, inscrutable and predictable. Its many moveable parts are pursued at such a relentless pace that there is little opportunity for auds to take a breath. When a much-needed dose of sarcasm is finally inserted by the perky LaChanze character late in act one, it comes as a blast of fresh air.<\/p>\n","protected":false},"excerpt":{"rendered":" Impressive new musical boasts strong performances and a melodic score, but the ambitious, convoluted book could use some work before the show arrives on Broadway in the spring. Paul Harris The sublime talents of soprano Idina Menzel are showcased to the hilt in \u201cIf\/Then,\u201d an impressive new tuner […]<\/p>\n","protected":false},"author":1,"featured_media":401,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10],"tags":[39,40],"class_list":["post-400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-39","tag-ifthen"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.idina-here.com\/press\/wp\/wp-content\/uploads\/2015\/10\/ifthen2.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Srnq-6s","_links":{"self":[{"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/posts\/400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/comments?post=400"}],"version-history":[{"count":1,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/posts\/400\/revisions"}],"predecessor-version":[{"id":402,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/posts\/400\/revisions\/402"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/media\/401"}],"wp:attachment":[{"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/media?parent=400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/categories?post=400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/tags?post=400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}