{"id":685,"date":"2018-07-04T18:07:38","date_gmt":"2018-07-04T18:07:38","guid":{"rendered":"http:\/\/www.idina-here.com\/press\/?p=685"},"modified":"2018-07-04T18:07:38","modified_gmt":"2018-07-04T18:07:38","slug":"idina-menzel-on-touring-motherhood-and-transitioning-from-broadway-to-pop","status":"publish","type":"post","link":"https:\/\/www.idina-here.com\/press\/idina-menzel-on-touring-motherhood-and-transitioning-from-broadway-to-pop\/","title":{"rendered":"Idina Menzel on Touring, Motherhood and Transitioning from Broadway to Pop"},"content":{"rendered":"<p class=\"p1\">Idina Menzel rose to prominence in 1996 when she originated the role of Maureen in Jonathan Larson\u2019s Tony- and Pulitzer-winning Broadway musical <em><span class=\"s1\">RENT<\/span><\/em>. She cemented her status as one of today\u2019s preeminent Broadway actresses with further roles in <em><span class=\"s1\">Wicked<\/span><\/em> (2003) and <em><span class=\"s1\">If\/Then<\/span><\/em> (2014). In 2013, Menzel hit the stratosphere voicing the role of Elsa the Snow Queen in the animated Disney blockbuster <em>Frozen<\/em>. The film became the highest grossing animated film of all time, and its theme song \u201cLet it Go\u201d turned Menzel into the only Tony-winning actress in history to reach the Billboard Top 10. Currently on tour behind her latest album, simply titled <em><span class=\"s1\">Idina<\/span><\/em>, Menzel spoke with <em><span class=\"s1\">Out In SA<\/span><\/em> over the phone in anticipation of her performance at the Tobin this summer.<\/p>\n<p class=\"p1\"><span class=\"s2\"><b>You\u2019ve said that this is your most personal and introspective album yet. What do you think makes this album distinctly Idina?<br \/>\n<\/b><\/span>I don\u2019t know that anything makes it distinctly Idina. I just know that there is an honesty and authenticity there. I was writing and recording it during a very chaotic time in my life. I had two very different worlds happening at once. I was going through a divorce and simultaneously experiencing a lot of professional success with my Broadway show [<em><span class=\"s1\">If\/Then<\/span><\/em>] and the Oscars and the Super Bowl and all that juxtaposed with mediation \u2026 and my little boy and all that stuff. There was a lot going on and I had a lot to say.<\/p>\n<p class=\"p1\"><b>What new territory were you able to cover for the first time on this album?<br \/>\n<\/b>I\u2019m not sure actually \u2026 I don\u2019t think of it that way \u2026 I used two producers that I was a huge fan of. When I really love someone\u2019s work, I kind of trust them, and I put myself in the room with them and I bring the kitchen sink and they kind of help me sculpt and mold. They brought great songwriters to the sessions as well. I guess it was \u2026 making a real pop album and still keeping the approach and integrity I keep towards songwriting. We were definitely trying to go mainstream without alienating my theatrical audience.<\/p>\n<p class=\"p1\"><b>So on this album, would you say you embrace your Broadway background, or do you try to break away?<br \/>\n<\/b>It\u2019s not even breaking away \u2026 it just depends on the writing, and it depends on the composer. I don\u2019t think I try to do anything on purpose. As I get older, I really try not to worry so much about rules and genres and categories. I just kind of go in [and] do my thing. I\u2019ve always been a singer that\u2019s straddled many different styles. When I was younger, I apologized more for it; but now I just<span class=\"Apple-converted-space\">\u00a0 <\/span>know it\u2019s a part of who I am and the life that I\u2019ve led and the music I\u2019ve listened to \u2014 which has been all over the map. You\u2019ve got to just let it all be reflected in the journey that you\u2019ve taken and who you are at the time.<\/p>\n<p class=\"p1\"><b>How do you think your live show is different from your album?<br \/>\n<\/b>Because it\u2019s live! I let the musicians do their thing and you don\u2019t have to worry about it being three minutes and 20 seconds for the radio. So we take sections that are really fun to jam on, and we elongate them and turn them into other things and segue into other songs. I can introduce a song and tell you where it\u2019s coming from and what it meant to me. I can talk to you about the meaning of the song \u2026 That\u2019s what \u201clive\u201d is all about. I\u2019m letting you into a little window of my soul. There is nothing like it. You don\u2019t have that when you\u2019re in the recording studio, of course.<\/p>\n<p class=\"p1\"><b>This is one of your biggest tours yet. What do you learn about yourself when you\u2019re waking up in a different city every day?<br \/>\n<\/b>How tired I am. How hard it is to balance motherhood and a career \u2026 It depends \u2026 If I\u2019m being woken up in another city by my 7-year-old at six in the morning, it\u2019s a lot different than when he\u2019s not with me and I sleep till three in the afternoon. A lot of it is about that \u2014 it\u2019s about surviving and just trying to stay healthy and conserve my energy. Unfortunately, I don\u2019t really see the cities I\u2019m in. If I see them, it\u2019s with my son through some children\u2019s museum or a cool zoo. Otherwise, I\u2019m in the hotel trying to sleep and rest my voice. I\u2019m not pulling any punches with the shows I do, and I don\u2019t take the easy way out. The music that I sing is very demanding, but I wouldn\u2019t have it any other way.<\/p>\n<p class=\"p1\"><span class=\"s3\"><b>The 20th anniversary tour of <em>RENT<\/em> recently made its way through San Antonio. Have you been able to catch that show? Or have you been able to partake in any celebrations or reunions of the original <em>RENT<\/em> cast?<br \/>\n<\/b><\/span><span class=\"s4\">No, I have not seen the 20th anniversary tour. But I\u2019ve been part of the reunions all along the way: one year \u2026 five years \u2026 10 years<\/span><span class=\"s3\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b>What advice would you give the 24-year-old version of yourself auditioning for your first professional role in <\/b><em><span class=\"s3\"><b>RENT<\/b><\/span><\/em><b>?<br \/>\n<\/b>Well, I think the reason I got the role is because I was the best version of myself at the time \u2014 or at least on that particular day. I was able to represent the best part of myself, but like most 24-year-olds \u2026 Sorry, my dog is freaking out \u2026 <em><span class=\"s1\">Louie, stop! Hey! I\u2019m talking!<\/span><\/em> \u2026 I think that I would advise someone to embrace that thing that makes them different and sets them apart. Do not worry about fitting in, because the good stuff is going to come to you when you\u2019re completely yourself and you\u2019re an original. It\u2019s not always what people want, and it takes a minute. Eventually, if you keep training and keep working hard and showcasing that part of you that might be a little bit different, then the right thing is going to come to you.<\/p>\n<p class=\"p1\"><b>Is that your dog barking?<br \/>\n<\/b>Yes.<\/p>\n<p class=\"p1\"><b>What is your dog\u2019s name?<br \/>\n<\/b>My dog\u2019s name is Louie.<\/p>\n<p class=\"p1\"><b>Are you still rooting for Elsa to get a girlfriend in the sequel to <\/b><strong><em><span class=\"s1\">Frozen<\/span><\/em><\/strong><b>?<br \/>\n<\/b>Oh, um \u2026 You know, I\u2019m not in charge of writing the story \u2026 So they don\u2019t ask me how I feel about that; but if that was to be a choice that they made, I would whole heartedly support it and be very excited about it!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Idina Menzel rose to prominence in 1996 when she originated the role of Maureen in Jonathan Larson\u2019s Tony- and Pulitzer-winning Broadway musical RENT. She cemented her status as one of today\u2019s preeminent Broadway actresses with further roles in Wicked (2003) and If\/Then (2014). In 2013, Menzel hit the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[2],"tags":[45],"class_list":["post-685","post","type-post","status-publish","format-standard","hentry","category-interviews","tag-45"],"jetpack_publicize_connections":[],"acf":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Srnq-b3","_links":{"self":[{"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/posts\/685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/comments?post=685"}],"version-history":[{"count":1,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/posts\/685\/revisions"}],"predecessor-version":[{"id":686,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/posts\/685\/revisions\/686"}],"wp:attachment":[{"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/media?parent=685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/categories?post=685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.idina-here.com\/press\/wp-json\/wp\/v2\/tags?post=685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}